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31 October 2015
Leila Jeffreys’ remarkable portraits of rescue bird.
For Wonder, a rare albino turkey vulture, life can be trying. His terrible eyesight means that “he is afraid of his own shadow”, says Australian photographer Leila Jeffreys. He was found face down in the snow in Michigan and is now at a Californian rescue centre, where Jeffreys took his portrait. “There is a gentleness to him that makes me melt,” she says.
10 October 2015
"A mother and daughter turn to paint and canvas to comprehend a family tragedy".
In light of World Mental Health Day, John McDonald reviews Ann and Sophie Cape's current exhibition 'An Unending Shadow: Works Exploring Dementia' at Mosman Art Gallery.
3 October 2015
Paul Davies cuts his stencils with the same kind of scalpel blade his ophthalmologist father uses to slice into eyes. The results are different of course. Davies junior's use of the scalpel is potentially far less messy and brings forth images that are apparently serene and seemingly two-dimensional. Yet the issue of redefining vision is the same. That is a theme that has defined this 36-year-old artist's career to this date. Born in Sydney, now living in Los Angeles, he often uses mid-20th-century modern architecture in his work yet says what is there is not what it seems.
29 September 2015
“My work is driven by friction between opposing forces of built and natural environments, design and art, abstraction and figuration.” We chat to Davies about his new exhibition ‘Other Desert Spaces’ and the direction his move to Los Angeles has steered his work.
April 9 2015
With a portrait in last year's Archibald Prize exhibition and as a finalist in several other art shows, Anh Do's artistic credentials would seem to be beyond doubt.
But Do's gallery dealer Rex Irwin has been a tough judge to please.
"He came before last year's Archibald and he looked at all the work and he went 'This is pretty much all not good enough'," Do says. "And I said 'What about that one? That's my dad and I'm going to put him in the Archibald' and he said 'No, not very good'."
Sophie Cape is a former professional athlete who retired from competitive sport ahead of the 2008 Beijing Olympics due to injury. She dabbled in art from a young age – inspired by her artist grandmother (Gwenna Thatcher) and mother (Ann Cape) – but it was when her sporting career came to an abrupt end that her art making became the perfect outlet for her restless, athletic energy and her love of being outdoors. Cape immerses herself physically and emotionally into the landscape. It’s here that she has discovered and developed her unique visual language, making large-scale, visceral artworks composed predominately outside, on the ground in seclusion.
For me, Instagram is a land of the midnight sun, a wide-open place that's always lit up, bristling with visions, pictures, strangers, shooting stars, screwballs, and well-known artists posting images from everywhere, together creating this immense abstract missive or amazing rebus that seems to speak just to me, the curious curator of my own lit-up Instagramland. Strangest in this strange land is that 123,000 people now follow me. Or are following their idea of me: New York Magazine's art critic acting out in pictures online.
8 June 2014
With his new film Edge of Tomorrow screened across Sydney this week, and his art exhibition opening yesterday in Woollahra, all that’s missing of Noah Taylor is the man himself.
January 28 2013
"I think everyone has their own doodling style," says Taylor, a prominent actor ever since his appearance in the 1987 hit film, The Year My Voice Broke.
He is referring to that automatic writing of symbols that people indulge in when they're "on the phone and talking about whatever to an accountant or something". He has found his personal symbols have tended towards the figurative.
January 26 2013
NOAH Taylor may be a fixture in the Australian psyche for his acting performances over 27 years but his passion has always been closer to canvas than cameras.
Taylor, who scored his breakthrough role in The Year My Voice Broke in 1987, has revealed little of himself in interviews over the years but he told The Weekend Australian his art was a connection to people.
Nov 7 2012
Leila Jeffreys finds her wings giving flight to birdlife as art.
Meet Slim, a sulphur-crested cockatoo snapped by Leila Jeffreys as part of her native Australian cockatoo portrait series. Her photographs, printed at over one metre tall, capture the endearing personalities of these beloved birds, from shy and sweet to downright cheeky. 7–25 November, Tim Olsen Gallery, 63 Jersey Road, Woollahra NSW; timolsengallery.com.
October 8 2012
I have always had an inexplicable fascination with birds, particularly the unique array we have here in Australia – from Lorikeets to Lyrebirds and everything in between.
October 1 2012
Ethereality is inherent in Marisa Purcell’s latest body of work, aptly titled ‘Halo’, presented by Tim Olsen Gallery, Sydney. Her series of oil
paintings are contemporary meditations on pre-Renaissance sacred imagery, responding particularly to the work of Fra Angelico in Florence’s San Marco monastery, which took Purcell’s interest during her residency in Chianti,
Italy earlier this year.
30 September 2012
Ethereality is inherent in Marisa Purcell’s latest body of work, aptly titled ‘Halo’, presented by Tim Olsen Gallery, Sydney. Her series of oil paintings are contemporary meditations on pre-Renaissance sacred imagery, responding particularly to the work of Fra Angelico in Florence’s San Marco monastery, which took Purcell’s interest during her residency in Chianti, Italy earlier this year.
Prue Gibson explores the artists swelling and elastic forms which appear to change shape before the viewers eye.
Your dazzling paintings in the 1990’s with right, clashing colours, attracted a lot of attention. What have you been working on lately?I’m focussing on the show coming up in March. It’s made up of embroidery works, small scale about 30 by 30 centimetres in size and all done by hand. Their embroidery mesh is spray-painted, they’re like the way I work with paper.
January - March 2008
Marie Hagerty over the past few years has established and refined her pictorial language to arrive at a form which is peculiarly her own. She is a young artist in her early 40s whose most recent work is certainly her best.