Stephen Ormandy “Only Dancing”
OPENS: March 7
The Lower East Side gallery presents a collection of new abstract oil on linen paintings and resin sculptures by Australian artist Stephen Ormandy, co-founder/creative designer of Dinosaur Designs.
Christopher Hart Chambers
Up front by the gallery's storefront window on the Orchange Street strip on the Lower East Side of Manhattan, which is now perhaps the premier location for current fine art, stands a construction of sheet brass shards, with straight, think brass rods projecting outwards in all directions, extending like rays of light or exclamation points.
19 February 2018
After a 10-plus year hiatus, Australian artist Anna-Wili Highfield has returned with a collection of mixed media sculptures. Titled ‘Spirit Faces’, the sculptures are currently being shown at Olsen Gallery’s New York City outpost, Olsen Gruin.
The show is Anna’s first fully conceived body of work in over a decade and follows on from the gallery’s calendar of other strong shows representing some pretty excellent Australian artists: Stephen Ormandy, George Byrne, Leila Jeffreys, and the super cool TV Moore.
_view on line at yellowtrace.com.au
February 1, 2018
"Olsen Gruin is pleased to present Spirit Faces, an installational exhibition of new sculptures by Australian artist Anna-Wili Highfield (b. 1980, Sydney). Highfield's first fully conceived body of work in a decade, Spirit Faces gathers a celebratory mélange of animals, body parts, and self-portraits. Virtuosic and playful, Highfield's mixed media sculptures reach new heights of exuberance and material imagination.
February 1, 2018
A selection of thought-provoking, mixed media sculptures.
After the clean and minimal photographs of sunny LA which provided a vibrant glimpse into the urban landscape of California, New York-based gallery Olsen Gruin presents the work of a strikingly different artist. Anna-Wili Highfield‘s Spirit Faces exhibition features mixed media sculptures that create an intriguing collection. Made of a blend of glamorous materials, brass, and spray painting finishes, the intricate artworks draw the viewer closer. Animals and body parts combine in carefully shaped sculptures that often remind of a self-portrait.
January 30, 2018
Olsen Gruin is currently hosting a solo exhibition by Jens Einhorn, titled "Raw Vision."
The exhibition presents a collection of new collage-paintings by the German artist. Einhorn's body of work reveals his interest in channeling the assertive energy of the urban periphery. His new works incorporate shapes cut from tarpaper, layered starkly above a vibrant collage of fabric, acrylic, and spray paint. Similar to how associating our personal memories gives meaning to others' discarded objects, Einhorn's collages are full of suggestion and opportunity.
Born in 1980, Jens Einhorn graduated from the Kunstakademie Düsseldorf as a Master Student with Professor Tal R. The artist currently lives and works in Berlin.
The exhibition will be on view through February 5, 2018 at Olsen Gruin, 30 Orchard St, New York, NY 10002, USA.
For details visit: http://www.olsengruin.com
View article online: http://www.blouinartinfo.com
26 October 2017
Australian photographer Leila Jeffreys focuses on diversity within bird species, and these wildly colourful portraits belie the lowly reputation of the pigeon.
Nicobar Pigeon These striking portraits of the pigeons and doves of New Guinea and Australia form part of Leila Jeffreys’ current exhibition, Ornithurae Volume 1, at Olsen Gruin, New York, until 12 November. The captions below are from an accompanying essay, Reconsider the Pigeon, by biologist Tim Low. All photographs: Leila Jeffreys
11 October 2017
OLSEN GRUIN is pleased to present “Ornithurae” a new selection of work by the Australian artist, photographer and environmentalist Leila Jeffreys.
Jeffreys has photographed native birds in her home country and the US (she was personally invited to shoot at Ojai Raptor Center, a sanctuary for wounded birds in California). Her unique work has featured everything from budgies to eagles; wrens to pigeons; cockatoos to hawks.
Olsen Gruin and Brooke Shields invite you to the opening of
ORNITHURAE VOLUME 1
Opening: Friday 13 October, 5–8pm
Exhibition continues until 12th November
September 13, 2017
The clean lines and colorful, minimal shapes in George Byrne’s photographs belie the busy, messy time in Los Angeles that led to their making. The Australian-born Byrne arrived in the city in 2010, after years of traveling. “I was personally in a very strange place when I got here,” he says. “No idea what I was doing with my life.”
Sep 13, 2017
George Byrne's photographic work makes my heart skip a beat. Using the urban Los Angeles landscape as his canvas, George captures forms and colour into unique compositions so they have an incredible alchemy and depth. His latest exhibition, NEW ORDER, includes twelve new works, capturing new compositions of color and geometric forms on the streets of LA - once again taking the ordinary and turning it into something extraordinary.
Sep 9, 2017
Stephen Ormandy has a way with colour. His bold and graphic paintings are strongly influenced by the natural world with a focus on colour and organic forms. His large scale oil paintings and cultural work are a synergy of line, shape and surface all working beautifully in harmony. For Stephen, colour is ''pure joy'' and his latest exhibition at the Olsen Gruin gallery is no exhibition.
OLSEN GRUIN NEW YORK
Six hard-edged paintings of curvy forms by the Australian artist and designer, who is making his New York solo début, evoke otherworldly figures and landscapes.
Mark Reddie interviewing Tim Olsen on ABC News Breakfast about the upcoming Robert Klippel exhibition at Sydney Contemporary 2017.
The sad-clown painting functions as a sort of postmodern joke: an ironic gesture that dives into bad taste while subtly nodding to art history—the clown’s origins can be traced back to the stock character Pierrot of the commedia dell’arte, after all. Wesley Martin Berg’s paintings of clowns are informed by this tradition, but he also imbues his subjects with a solemn grace.
July 15, 2017
Olsen Gruin is pleased to present “Sharing Country” curated by Adam Knight. "Sharing Country" show cases works by leading contemporary Aboriginal artists from the most remote desert communities. Featured artists include Sandy Brumby, Tommy Watson, Joseph Jurra Tjapaltjarri, Iluwanti Ken, Puna Yanima, Tuppy Ngintja Goodwin, Womens Collaborative, Barbara Moore, Tiger Palpatja, Witjiti George, Minnie Pwerle, Kudditji Kngwarreye, Kathy Maringka and Liddy Napanangka Walker.
A. E. Colas, Contributing Writer
July 3, 2017
This week’s Art Break takes groups as its theme. Group shows are a great way to learn about a culture, an art movement, a topic, or a new way to bring art to people. Our downtown pick this week is the full experience in one place: a brilliant display of Australian modern art created by Aboriginal artists. Visit this and our other picks for free – you’ll have a great time and come away with a new understanding of the power of art.
July 3, 2017
Group show season is upon us. That annual rite of summer, the group exhibition, has hit galleries all
over New York. If the wide selection seems overwhelming, rest easy.
We’ve scoured shows across the city to provide this helpful guide to the
best of the bunch. Enjoy!
Click here to read full article
April 07, 2017
Olsen Gruin Gallery in New York is hosting an exhibition “April Fools” by artist TV Moore that will be on view through May 7, 2017.
14 September 2016
If painting is dead, as some art critics say, nobody told John Olsen. "I'd like to know the time of death," he says with the brightest of glints in his eye. "I'm alive. So painting isn't dead."
At 88 years old and widely considered Australia's greatest living painter, Olsen is about to launch his largest ever retrospective at the National Gallery of Victoria.
3 October 2015
Paul Davies cuts his stencils with the same kind of scalpel blade his ophthalmologist father uses to slice into eyes. The results are different of course. Davies junior's use of the scalpel is potentially far less messy and brings forth images that are apparently serene and seemingly two-dimensional. Yet the issue of redefining vision is the same. That is a theme that has defined this 36-year-old artist's career to this date. Born in Sydney, now living in Los Angeles, he often uses mid-20th-century modern architecture in his work yet says what is there is not what it seems.